The works that make up Isn’t It About Time were triggered by extensive research on science fiction, a genre the artist has been focusing on for the past few years.
In this exhibition, Rania Stephan considers how science fiction and editing both orbit around the notion of time. Appropriating the methods of an editor – part detective, part cinephile – the artist investigates how images collide and collude, multiply and subtract. The works are driven by resonances between images, still and moving, visible and invisible, revealing the trace of an unrecovered absence.
In this exhibition, Rania Stephan considers how science fiction and editing both orbit around the notion of time. Appropriating the methods of an editor – part detective, part cinephile – the artist investigates how images collide and collude, multiply and subtract. The works are driven by resonances between images, still and moving, visible and invisible, revealing the trace of an unrecovered absence.
